2,399 로열티 프리 오디오 트랙들 "Spring Tank Reverb"에 대한

Just a basic sample of sliding an empty propane tank on a wood surface.

Gas tank leaking.

H4n used to record the sounds made while filling up my car with gas in california.

Short sample of a tracked construction vehicle as it moves.

Recording of geberit tank.

Created by making funny noises with my lips and messing with it in audacity.

Simple tankdrum sound - suitable for generating sound effects e. G. For games.

Doepfer a-100 modular system recorded with a zoom h-5. Cut and transcoded with audacity.

It’s a mix the 80s gated reverb and the fisher k10 stereo (gated), this is an experiment that i did combining a thicker reverb with low frequency, with an impulse response from a 60s spring reverb unit, which brings a movement nice in the mix.

A combination of several tube spring reverb units with a dark vintage character.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

Tube spring reverb unit compressed on the tape.

Pulse responses from great british spring reverb processed with equalizers, tube preamps and compressed with analog tape.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

Algorithmic modular music program ver. 2 (man2v2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. Admit, the spring reverb makes a nice job!. 00 rem -------------- man2_2019 --------------00 rem ------------------ v2 -----------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)00 rem line 08 in ver. 103 rnd frq lfo_1 (run speed)00 rem [less secitive for cv change]04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)00 rem [added some offset with attenuverter]06 trg short env (vco_2): rnd pitch @ eoc (vco_2)00 rem [long env in ver. 1 - with long env i seldom reach eoc]07 if (lfo_2 = high) then goto 01 [= reset]00 rem line 02 in ver. 108 [07] trg short env (vco_3): rnd pitch @ eoc (vco_3)00 rem line 07 in ver. 100 rem [long env in ver. 1 - with long env i seldom reach eoc]10 goto 01.

Sounds nice to me. Variable tempo. Made with analog modular synth.

A krell.

Atonal modular synth melody.

5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.

This sound actually resampled using1) metal clanks2) cinder block falling on the ground3) metal impactenjoy!.

Swinging bucket with water and throwing it in the tank.

Sound of moving light soviet tank t-26 (tank of world war ii, civil war in spain). Summer forest. Tracks and engine sound, engine acceleration. Video with this sound was recorded in finland (parola tank museum). Date: summer 2009. Microphone: unknown video-camera microphone. The sound was postprocessed with program audacity (freeware) to remove talks and artifacts.

The sound of my turtle's tank. Recorded with a sony ic recorder and processed in fl studio's edison sound editor.

A flush toilet where you have to pull on a rope.

A general heavy engine chugging forward (recorded at the back of a bus).

Sound of a half-full jojo tank being slapped creating echoing sound effect.

Actually, it was a large truck windshield being hit with my knuckles, but it sort of sounds like a hollow metal tank.

Field recording - recorded with a zoom h6 in stereo. Bubbling and filter tanks running in a small petting tank at an aquarium. (there's a shark in the petting tank. ).

After some confused techno days i'm back with machine composition. This is a basic patch on my analog modular synth.

In my bag i have had this little not with a patch on. Today it was time to patch it. I dont know why i once draw it down. If its supposed to be a part of a bigger patch. . . This is the result. Noise.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

Could need some sounds in the middle spectrum and better eq. . . Background soft minimal techno?.

Sounds of a steel tongue drum. Tonic of d.

Recording of soviet stove in everyday life, including that roar from the flame's ignition.

This sound was created by my steel tongue drum.

Single toilet flushing sound followed by the noise of the re-filling tank.

Hitting a large metal oil tank/drum. Mono recording from shotgun mic and solid state recorder.

Toilet flush and the refilling sound of the toilet tank. Recorded with a zoom h2n.

Toilet flush recorded with sony pcm d100 in xy position at 192khz.

Toilet flush recorded with sony pcm d100 in xy position at 192khz.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.

A patch with a changing sequence made on analog modular synth. Spring reverb and analog delay. The changes are made with an chaos lfo. Its 10 min loop!.

Impulse response of a 60s tube spring reverb unit, fisher k-10 in stereo at 96khz. It is very versatile it looks good on drums, guitars, percussions, synthesizers and vocals, in addition to the beautiful spring sound in stereo.

Yes, my wasp-filter is alive again!.

Sound of a loose metal spring being plucked with heavy reverb, could be a good sting for a horror sequence. If you find this handy, feel free to use for your project!.

Sound isn't very pleasant in it's base form. However when slowed down it produces an interesting sound that could be used for anything from tanks to motorcycles to some weird scifi effect.

I step in a cap of sewer.

This is a recording made in my living room of a mitzvah tank, the giant vans the lubavichers drive around brooklyn. They play jewish religious music out of speakers on these vans. Its a sound i always enjoyed, especially during the high holidays when there is a giant parade of them on flatbush.